HATE FREE ZONE
New arrangement is posted! This one is of Gold Pilot, composed by First Turn Fold. The beginning of the original was used in [S] Act 6 Act 6 Intermission 1, but my arrangement is of the full 5-minute piece.
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All of this is typical girl-fear. Once you realize that The Exorcist is, essentially, the story of a 12-year-old who starts cussing, masturbating, and disobeying her mother—in other words, going through puberty—it becomes apparent to the feminist-minded viewer why two adult men are called in to slap her around for much of the third act. People are convinced that something spooky is going on with girls; that, once they reach a certain age, they lose their adorable innocence and start tapping into something powerful and forbidden. Little girls are sugar and spice, but women are just plain scary. And the moment a girl becomes a woman is the moment you fear her most. Which explains why the culture keeps telling this story.
For readings on the correlation in horror between puberty and the monstrous, see:
I will add Carol Clover’s Men, Women, and Chain Saws here, although she’s concerned more with identification, monstrous-feminine as men’s horror, and the maternal aspects of possession tales (including a section on possession as oral penetration). Although both Creed and Clover are important feminist horror theorists who work in Psychoanalytical lenses, Barbara Creed talks more about transformation than Carol Clover does. And transformation is key to horror movies about how women are terrifying.
For variations on a theme, watch Ginger Snaps, Carrie, and Teeth together.
(Bonus: here is Kristeva’s Powers of Horror: an Essay on Abjection for free online)
I have several done years of RPing, and this has taken me to countless different forums and, if you are at all familiar with RP forums, let me tell you, they were the lowest of the low some six or seven years ago.
In one of these forums, a legendary tale happened, a tale that, if I can ever recommend one thing to you, it is this:
A story that happened to an anonymous RPer years ago.
Anyone will be able to appreciate it (and trust me, you will), but if you are kinsmen or kinswomen to me, if you ever had to experience the shittiest of RP forums and their terrible userbases, particularly that one guy that does whatever he wants and is an asshole that clearly godmods but gets away with it because the actual mods don’t give a damn, you will find the beauty behind the ballad that much brighter.
Just trust me on this one. It’s not a particularly long read, either.
I hope you enjoy The Ballad of Edgardo
"F*ck the waves of feminism: we embody over 500 years of resistance before us. We are an ocean" - NYSHN
Rest in power, to our lost relations.
This level of conflict of interest is massively unsurprising.
This is horrifying. The worst of Chicago politics migrated south to St. Louis.
Extremely. While we think of Chicago and New York as the most corrupt, we tend to forget our own local politics. This problem is wide spread in every city/county/state.
There is no way to escape it until we all become aware of this problem. And then when we are aware, we have to organize and attack the problem by its roots.
LOOK IT’S A SONG
BRUH THIS SHIT IS GOLDEN AND THANK GOD THIS IS THE LAST ONE.
Anonymous said: why do black people use you in the wrong context? such is "you ugly" instead of "you're ugly" I know u guys can differentiate, it's a nuisance
you a bitch
It’s called copula deletion, or zero copula. Many languages and dialects, including Ancient Greek and Russian, delete the copula (the verb to be) when the context is obvious.
So an utterance like “you a bitch” in AAVE is not an example of a misused you, but an example of a sentence that deletes the copular verb (are), which is a perfectly valid thing to do in that dialect, just as deleting an /r/ after a vowel is a perfectly valid thing to do in an upper-class British dialect.
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